King the Land: Best Korean Drama Series Review 2025

Korean Drama Review: “King the Land” 2023

Introduction

Are you ready for a rollercoaster of emotions in a world filled with romance, conflict, and ambition? Enter the captivating realm of “King the Land,” a Korean drama series that will keep you on the edge of your seat from start to finish.

Plot Synopsis

“King the Land” delves into the intriguing narrative of an intense inheritance battle that sets the stage for a clash between a charming heir and his hardworking employee. The tension mounts as these two individuals, portrayed by Lee Jun-ho and Lim Yoon-a respectively, navigate their complex relationship filled with moments of conflict and undeniable chemistry. Will their opposing personalities collide or culminate in a unexpected bond?

Characters

The dynamic characters in “King the Land” bring depth and authenticity to the story. Lee Jun-ho shines in his role as the charming yet conflicted heir, capturing the complexities of his character with finesse. Lim Yoon-a delivers a stellar performance as the hardworking employee, infusing her portrayal with a mix of vulnerability and strength. The interactions between these two characters are a highlight of the series, creating an undeniable magnetic pull that keeps viewers invested in their journey.

Visuals and Cinematography

The beauty of “King the Land” extends beyond its compelling storyline to its stunning visuals and meticulous cinematography. Each frame is carefully crafted to draw viewers into the world of the drama, immersing them in the lush landscapes and intricately designed sets. The attention to detail in every scene enhances the viewing experience, making every moment visually captivating.

Themes and Messages

Underneath the surface drama and romance of “King the Land” lie deeper themes and messages that resonate with viewers on a profound level. The exploration of inheritance, ambition, and the complexities of human relationships adds layers of depth to the narrative, prompting reflection on life’s struggles and triumphs. The drama serves as a mirror to our own experiences, inviting us to ponder the choices we make and the paths we choose to follow.

King the Land | Official Trailer | Netflix

Watch This on YouTube: https://www.youtube.com/watch?v=AGF16szMOmo

Amid a tense inheritance fight, a charming heir clashes with his hardworking employee who’s known for her irresistible smile — which he cannot stand.

Final Thoughts

“King the Land” is a masterpiece that seamlessly blends romance, conflict, and intrigue into a compelling narrative that captivates the heart and mind. From the stellar performances of the cast to the breathtaking visuals and thought-provoking themes, this Korean drama is a must-watch for fans of the genre. Dive into the world of “King the Land” and let yourself be swept away by its spellbinding storytelling.

Rating: ⭐️⭐️⭐️⭐️⭐️

Don’t miss out on the opportunity to experience the magic of “King the Land.” Stream it now on Netflix and embark on an unforgettable journey filled with passion, drama, and undeniable charm.

Review by People

Hermès! Served exactly as intended: a (rarely pure) rom-com delight.

Most romance stories, in my experience as a lover of the romance genre (and as somebody who aspires to write in the genre), will follow a very specific pattern. It typically seems to go something like:

-two people who are well-suited to one another meet
-who want to be together
-and share moments of growing emotional, and often physical, intimacy
-but who struggle against internal and external obstacles
-that build up until there’s a major complication
-which gets resolved happily.

Romance, as a whole, does not tend to deviate much from this structure; it’s why a lot of people return to it, time and time over again. And in terms of being exactly this – a very, very sweet, wholesome, lighthearted and funny romance, in my opinion, this drama excelled.

There is no secret serial killer or hardcore thriller plotline, and in this way, it feels like a “pure” rom-com – most misunderstandings are easily resolved, and a lot of the drama consists of different scenarios involving the leads being sweet and falling deeper in love with each other, supporting each other when the relationship is tested.

The drama wastes no time in having the leads fall for and get with each other – it’s certainly no slow-burn where the characters’ hands brushing against each other will leave you gasping for air, but I personally found a lot of beauty in this drama’s simplicity.

Rather than missing the aching slowburn, or yearning for the higher stakes, this drama’s low stakes kept me focused on the relationship, kept me believing in the strength of its foundations, and got me attached to them. Though these are perhaps not the most complex or layered characters, I found them well drawn out, acted, and lovable. In a lot of ways, it became my weekly injection of sunshine.

I admired how much it kept to its theme and heart in the pro-worker throughline. The ways that (especially service) workers are often mistreated, and especially how that interplays with the power/wealth disparity between the two leads as boss and employee felt like it was given the kind of treatment I’m not used to seeing just yet.

I ended up liking how I felt the respect the female lead got in her romantic relationship was not only extended to her in her professional life, but to the professional lives of many in her line of service work.

To some, it might be slow, boring – I’ve even seen “lazy” tossed around, but to me, I don’t think it was lazy at all. There were bits of symbolism, love shown in small, almost unnoticeable acts (like him closing the gate up to her apartment behind her, or them saving their names as stars and angels) that all add to the larger picture – there are themes and undercurrents of pro-worker sentiment and of the role of women, the links between their personal and professional lives (exploitation at work, and exploitation in the home – divorce, too, as a cultural taboo that threatens a woman’s professional life) rippling throughout.

There was meaning in their names – the male lead’s full name, Gu Won, meaning “salvation” – a part of her name, Sa-Rang, meaning “love” (I’m not sure how the context/meaning is changed with her family name Cheon) – with salvation and love being the foundation of their mature, adult relationship. I found a great deal of small personal meaning in this drama.

Overall, in terms of the acting (Lee Jun-Ho’s acting especially; I look forward to digging into his acting from before too – but Lim Yoon-A I felt like did a very believable job of a woman working in service and of selling the chemistry too – the side cast of characters, and especially the woman who played the villainess Hwa-Ran, Kim Sun Young, who gave dimension to a character I feel like could have fallen quite flat, the direction, the writing, the music (my personal favourite from the OST being ‘Confess To You’ by Lim Kim) – I feel like they did a very very good job in delivering exactly what they promised: a fluffy rom-com.

While in terms of other, more complex and nuanced dramas that have captured my heart, it might not compare with my other 10/10s, which is why I will not rate it as such, but within its own genre, I think it deserves to be seen as extremely well crafted, and I do not believe it deserves a low rating for being what it is. For the other people this kind of lighthearted story will appeal to, I hope they feel just as well served as I do.

Underwhelming, Cliche-Riddled “Fairy Tale” That We’ve Seen So Many Times Before!

I’m not sure why I continue to fall into the trap of watching these romantic dramas that overuse cliches that have been done hundreds of times before. It’s the biggest reason why I stopped watching American romantic comedies because they’re mostly all the same. However, perhaps it’s because I’ve seen enough refreshing takes on the genre in K-Dramas that I remain hopeful, that there are still a few gems out there. This series isn’t one of them.

Once again, we have the super-wealthy man who swoops in for the plain working girl. We’ve seen this duo so many times, that it’s literally become tiresome. It’s also insulting that women today—in any part of the world—are made to feel that the “jackpot” is still the rich man. Look around, and you’ll probably find that many such relationships don’t last or end well.

There is little innovation or creativity in this series. It’s about as predictable as you could imagine. It follows this predictable formula: wealthy son has a problem, so he’s a bit of a recluse. Wealthy son has a parent who is unhappy with him and, of course, he disapproves of the girl he likes and is told to get rid of her.

Always a power struggle between the guy and a sibling or rival. Regular girl doesn’t have much self-esteem and struggles to make ends meet. Regular girl begins to question her value as soon as any objection is made against her, especially by his parents. Wealthy guy miraculously recovers from his problem, usually with the help of the girl, and we see him begin to soften and see life in a different way.

Wealthy man treats the girl to many exotic events that nobody could possibly experience (bought out restaurants, amusement parks, lavish hotel rooms, etc.) as if this is the only way to enjoy each other’s company. Everything is miraculously wrapped up in the last episode so that everything ends on a happy note.

What we end up having is a very predictable series where we already know what’s going to happen from the very start. This formula is used in nearly every Hallmark movie ever made. In fact, I wondered if the writer stole their template to use for this series. It wouldn’t surprise me.

The series could have been brave and chosen to go off in a totally different direction. Perhaps the guy gives up his wealth to pursue his own dreams and happiness. Or how about this? Why can’t the woman be the wealthy one and the guy be the regular shmo? Because culturally, we still live in a world where women continue to believe that ultimate happiness lies with a wealthy man, which is beyond sad. It’s pathetic because it’s so completely untrue.

Gu Won (Lee Jun Ho) is the reclusive son of a wealthy company and hotel owner. His mother suddenly disappears from his life at a young age, and he doesn’t trust people who smile. He views such actions as fake as well as insulting as if the person is hiding their true feelings. He’s not entirely wrong. There is nothing so superficial as a fake smile. He comes back to Korea after years in the UK to learn the business, even though at first, he has no interest in taking over.

Cheon Sa Rang (Im Yoon Ah) is a young woman who’s always dreamed of working at the King Hotel. It’s a place of warm memories from when she was a child, and because of her customer service skills, she finds herself moving up the ladder to King the Land—an exclusive VIP floor of the hotel, only for the very richest of people who demand special service. She’s very good at her job, and when she’s asked to interview Gu Won for a promotional scheme, of course, there is immediate friction, especially when he demands that she stop smiling.

As you can already guess, these two are whisked away alone (you have to hand it to the writers who scheme to come up with some plausible way to force these two characters to be alone in order to break the ice!), and they begin to learn about each other. The sad part is that by the end of the third episode, Gu Won miraculously recovers from his problem of seeing people smile. This is an area that could have, and should have, been explored much more thoroughly than it was. This was a missed opportunity.

Cheon Sa Rang has two other friends who both work under the same company. Kang Da Eul works at a duty-free shop. And Oh Pyung Hwa is a flight attendant. All three women are very immature, cowardly, and weak. Wallflowers are never attractive or appealing. Sa Rang constantly allows herself to be abused at work.

Kang Da Eul is abused by her in-laws and husband. It’s sad that her little girl has more maturity than she does. And Oh Pyung Hwa has her past held against her, and she’s also abused by the pilot and co-workers. None of them ever speak up and stand up for themselves.

To be fair, Korea is arguably the most competitive country in the world. And what we see is a very cutthroat mentality in which workers are expected to fall-in and do whatever they’re told without argument or complaint. This leads to a hierarchy of those above abusing those below. In one of the high points of the series, Gu Won attempts to correct this oversight.

His plan is for companies to appreciate their employees and to treat them as valuable commodities rather than throwaways. This is a philosophy that is sorely needed in today’s world, but perhaps especially in Korea. This point was actually my favorite aspect of the series, so it wasn’t a total loss.

Lee Jun Ho is the glue of this series. He has a very natural acting style that makes you appreciate his acting chops in nearly every scene that he’s in, and in many ways, he single-handedly prevents this “ship” from sinking completely.

I’ve always loved Kim Young Ok (Grandma) who dazzled us in “Hometown Cha Cha Cha” as well as “Tomorrow.” She’s a true delight in everything she does. I smiled when I saw her in her first scene.

Im Yoon Ah is the weak link in this series. this woman is like a Jekyll and Hyde actress. She’s either upbeat, bubbly, and warm, or she’s cold, rude, aloof, and indifferent. She has no other “speeds” which is why her range isn’t very good. She has no clue how to build up a scene. She can only hit one button or the other, which really hurts her performance. Too often, she looks uncomfortable in scenes where she shouldn’t be. I found it ironic that she’s the last one to smile in the wedding of the last episode.

She looked so uncomfortable, and it showed. She has a good grin, but she hardly has “the best smile.” Her performance is very inconsistent and lacking believability in many scenes. I certainly won’t be watching any more series that showcase this actress. She’s decent at best.

Kim Sun Young plays Gu Hwa Ran, Gu Won’s sister, even though she looks more like his mother. While she played the character well, Gu Hwa Ran is way too one-dimensional. This was another character that should have been explored with much more depth.

Finally, we have Ah Se Ha playing No Sang Sik (Gu Won’s assistant). There is a fine line between playing the idiot and playing the funny man. The buffoon is rarely appealing, and the Thailand trip was cringeworthy and easily my least favorite part of the series. It takes someone with real acting chops to toe the line between being annoying and funny. He was easily my least favorite character of the series, making me question why he was there.

I prefer series like “Business Proposal” that showcased strong, mature women who could fend for themselves. Women who didn’t act like wallflowers who wilt under every kind of pressure, which is what we have here. “Hometown Cha Cha Cha,” “Our Beloved Summer,” “Touch Your Heart” and “Love To Hate You” were vastly superior to this series. These writers really need to start thinking outside the box instead of hammering us with the same plots and weak characters that have been done to death.

This drama needed a soul……it was so lifeless and cringey

The minute you label the genre as romantic comedy, then a thousand expectations are dropped but yet only a handful remain.
And if you can’t even met those then the drama needs to be trashed.

ML : basically the only person/object/character worth watching. He is the only reason I endured 16 hours of cringey material.
FL : goddess of goodness. I wish more girls like this existed – but they don’t because her character was fake and so was her smile. Outrageously created do-gooder, star winner……just nauseating.

Main Couple : I couldn’t find the chemistry within 16 hours of torture. Romance is tepid, no sizzle, no heart fluttering scenes. Please don’t call it a romance if you cannot make our hearts flutter. It’s the only request we have for you.

The friendship between 3 females : they should really edit out all the scenes with the 3 friends because it is an embarrassment to young women. Who behaves so idiotically? Are these stolen clips from a 70’s drama?

Bad coworkers : Yea,right
Trip to Thailand: ridiculous joke
Arab Prince: The comment and review sections are filled with this so go figure.

This drama had a hope, some good bones. Unfortunately they wanted a quick fix so the whole thing came crumbling down.